7/2/2023 0 Comments Seamless paper rollThis is a great way to create a juxtaposition in your shots. Just cut the edges and tape them to another seamless. You can use more than one seamless at a time. Flowers, vests, dresses…if you can think it, there’s a way to make it out of seamless! All the props in this image were made from seamless paper. Who said you have to just use seamless paper as backgrounds? You can also cut it up any way you want to make some interesting props. Using the colored seamless paper works well here too. It’s a great tool to create seamless backgrounds that separate your subject and have them pop out. The old faithful – the one you should always have up your sleeve. Sometimes calling attention to something makes for exciting images! Who said you’re not allowed to see the seamless paper in the shot? It can work well with creating a ‘fantasy world’ look. This will create a lot of texture and will look great as an interesting backdrop. Just cut straight through and roll the strips to different lengths. If you put a few rolls of seamless together and roll it out to your desired length, you can make spirals with the different cuts you make. Just keep rolling it till it’s nice and tight so you can fit the paper back in the box. Here’s a tip: when the paper is all rolled up, continue rolling! This will make the seamless paper that’s already rolled tighter. Sometimes when you’re rolling your seamless paper back up, it can get lose and all over the place. This is a great tip for when you want to get the ceiling in your shot as the seamless paper can extend all the way up, creating no spaces between the wall and ceiling. The other way to do it is having the seamless paper fold out the opposite way where the bend is away from the camera. This is good for when you want that ‘infinity’ look (or sweep) where you can’t tell where the floor and wall meet. The first is the more conventional way with the bend coming across the floor. There are two ways you can roll your seamless paper. Don’t forget to put a clamp on the top of your C-stand arm! If you don’t you risk the seamless paper slipping. I like to tape down my seamless using painters tape to secure it. If they aren’t, that means one side is higher than the other and you have to move your C-stand higher or lower accordingly. You can tell that your seamless is straight when the gap between the C-stand and the paper run parallel to each other. The seamless paper is on a cardboard pole so you don’t have to worry about the middle sagging. It’s super easy actually! Just set up two C-stands with the arms out and pull the seamless in between. What is seamless? It’s a roll of paper that’s about ten or twelve feet long that comes in a variety of colors. I’ve been using seamless paper for years now, ever since I started my photography career. Most people use it to create seamless backdrops for portraits – but that’s not creative!! In this lesson, we’ll show you ten different ways you can use seamless paper then just your typical backdrop. Savage Seamless Background Paper is a dyed product, therefore does not have exact CMYK/RGB/Pantone matches.Savage makes great seamless paper that you can use in a variety of applications for photography and video. Store vertically using the Savage Seamless Paper Storage Clip Cost-effective for a wide variety of uses Savage Seamless Paper is acid-free, lignin free and pH neutral. Take your small and large-scale crafting, art and visual design projects to the next level with your next roll of seamless paper. Being a cost effective and versatile material, Savage Seamless Paper is not limited to just photographic use. With sizes spanning up to 50 yards of paper length, just roll out what you need and trim the end when finished, to guarantee a fresh and sleek background with each use. #01 Savage Super White Seamless Paper provides a high-quality, non-reflecting surface with an exquisite, fine-tooth feel that's ideal for creating smooth and even backgrounds in portraits, commercial photography, product photography, videography, and much more.
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